Norman Lear: Just Another Version of You Debuts on PBS

Posted on October 25, 2016 by Judith Trojan
Writer/producer Norman Lear's youthful spirit, inquisitive mind and groundbreaking sitcoms are the stuff of a true AMERICAN MASTER. Photo courtesy Norman Lear.

Writer/producer Norman Lear’s youthful spirit, inquisitive mind and groundbreaking sitcoms are the stuff of a true AMERICAN MASTER. Photo courtesy Norman Lear.

“My family is the greatest joy in my life,” says 93-year-old writer/producer Norman Lear at the close of Norman Lear: Just Another Version of You. This engaging documentary profile of the trailblazing writer/producer was filmed for American Masters by Heidi Ewing and Rachel Grady. 

Following its well-received run on the festival circuit and in select theaters this summer, American Masters–Norman Lear: Just Another Version of You makes its national broadcast debut on PBS tonight, October 25, 2016, 9:00-10:30 p.m. ET.  (Check local listings for premiere and repeat airtimes in your region.)

In Norman Lear’s universe, the term “family” covers a lot of ground.  The families he’s been fortunate to shape and share his life with, especially on the job, are the stuff of legend.

Norman Lear, circa the 1920s. Photo courtesy Act III Productions.

Norman Lear, circa the 1920s. Photo courtesy Act III Productions.

The writer/producer/show runner of such groundbreaking hit TV sitcoms as All in the Family; Maude; The Jeffersons; Good Times and Mary Hartman, Mary Hartman had a rough start.  While his father may have espoused Archie Bunker’s narrow-minded world view, he did not, however, share Archie’s hard-working, law-abiding, family centered lifestyle. Norman’s dad relocated to a jail cell when his son was nine, and the boy was subsequently sent off to live with various uncles and finally landed with his grandparents. He later asked his mom, “How come I have no memory of you?”

Admittedly “a striver,” he persevered and managed to make a giant leap forward from working three jobs on the Coney Island Boardwalk to Emerson College, which he departed in patriotic fervor to enlist after the bombing of Pearl Harbor. The filmmakers have fashioned a clever collage of Lear’s back story by blending passages from his memoir, vintage family photos and archival clips from his early work as a scribe on seminal TV variety shows. A slapstick bit from”The Colgate Comedy Hour,” starring Jerry Lewis and Dean Martin (1950) actually features Lear on-camera with Lewis.

While the specifics of his rise to the top as the writer, producer and show runner responsible for six of the top 10 shows on TV during the 1970s are best garnered from Lear’s memoir, Even This I Get to Experience (Penguin, 2014), there are extensive clips from those hit shows and insightful anecdotes to relish in the film.

From left: Jean Stapleton, Carroll O'Connor, Norman Lear, Rob Reiner and Sally Struthers on the set of ALL IN THE FAMILY. Photo: CBS Photo Archive.

From left: Jean Stapleton, Carroll O’Connor, Norman Lear, Rob Reiner and Sally Struthers on the set of ALL IN THE FAMILY. Photo: CBS Photo Archive.

It was an era when footage of Vietnam casualties and anti-war protests blanketed the evening news at dinner time. Welcome antidotes to the bloody carnage and campus sit-ins were Lear’s fearless TV families who served up hot button social issues with humor and a twist of reality that upended romanticized post-war portraits of American family life. In the process, Lear raised the hackles of TV censors and the religious right and landed on President Richard M. Nixon’s enemies list.

Clips from controversial episodes of All in the Family, Maude and The Jeffersons are highlights, as well as some hilarious shtick with Lear’s pals and contemporaries, comedy legends Carl Reiner and Mel Brooks. Reflections on Lear’s important contributions to the national discourse come from Rob (“Meathead”) Reiner, now a noted film director; George Clooney; Bill Moyers; Russell Simmons; and Jon Stewart, as well as Lear’s former partners and colleagues, including, via archival footage, actresses Bea (Maude) Arthur and Esther (Good Times) Rolle.

Especially enlightening are Lear’s candid anecdotes about his actors.  Lear has much to say about Carroll O’Connor (his casting as Archie Bunker and O’Connor’s ongoing challenges, as a liberal Irish Catholic, with the role and scripts). Lear and actor John Amos also recall the problematic success of Good Times and the fine line they walked to stem the stereotyping of the sitcom’s break-out young star.

Ever the patriot and social activist, Lear went on to buy a copy of the Declaration of Independence, tour with it on the lecture circuit, and launch a liberal advocacy organization, People for the American Way (PFAW).

Norman Lear loves his family, his signature hat and his morning cup of coffee. Photo: Andrew Renneisen/The New York Times.

Norman Lear loves his family, his signature hat and his morning cup of coffee. Photo: Andrew Renneisen/The New York Times.

With his strong physical constitution and inquisitive mind still on full throttle, Norman Lear credits his tight-knit family and “childlike view of the world,” with his healthy, productive longevity.

I encourage you to share some laughs and a tear or two with this marvelous nonagenarian and national treasure whose transformative contributions to our television landscape are as relevant today as they were in the 1970s, especially in light of the racism, bigotry, bullying and sexism that have darkened our current U.S. Presidential election.

A production of LokiFilms and THIRTEEN PRODUCTIONS LLC’S American Masters for WNET, Norman Lear: Just Another Version of You makes its national broadcast debut on PBS tonight, October 25, 2016, 9:00 – 10:30 p.m ET/PT.  (Check local listings for premiere and repeat airtimes in your region.)  PBS Distribution will also release the film on Blu-ray, DVD and Digital HD on October 25, 2016, with bonus features.)–Judith Trojan

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Weiner The Man, The Myth, The Documentary Makes Its Showtime Debut

Posted on October 22, 2016 by Judith Trojan
Photo courtesy of SHOWTIME.

Photo courtesy of SHOWTIME.

“I did a dumb thing. But I did a lot of other things too,” says former New York Congressman and New York City Mayoral candidate, Anthony Weiner.

That’s quite an understatement, given the actual “dumb thing” that imploded Anthony Weiner’s promising political career and marriage. Lots of us do dumb things, but few cause as much collateral damage and media “noise” as Weiner’s obsession with sexting.  If you’ve managed to weather the current contentious Presidential campaign and its unsavory revelations, you’re probably well-equipped to watch Weiner, the feature-length length documentary by Josh Kriegman and Elyse Steinberg making its world television premiere on SHOWTIME tonight, October 22, 2016, 9:00 -10:30 p.m. ET/PT.  (Check listings for repeat broadcasts in the weeks ahead and availability On Demand.)

Anthony Weiner hit the ground running in New York City politics. In 1992, he became the youngest member of the New York City Council and went on to win seven terms in the U.S. Congress (D-NY). He served through 2011, when he departed his post in disgrace. The film opens with clips of his scrappy, take-no-prisoners posturing in Washington, as he fought for health care for 911 first responders, and is peppered with clips of him schmoozing his remarkably forgiving middle-class constituents on the streets of New York.

Anthony Weiner took to the streets of NYC to rebuild his political career. As seen in the documentary WEINER. Photo courtesy of SHOWTIME.

Anthony Weiner took to the streets of NYC to rebuild his political career. As seen in the documentary, WEINER. Photo courtesy of SHOWTIME.

Caught sexting during his Congressional stint, Weiner resigned and the media pounced. He managed to defuse the mistrust that followed his lies about the incident and somehow deflected concern about the character flaws that led him to unzip on the Internet.  He patched up his marriage to his accomplished young wife, Huma Abedin, a trusted advisor of Hillary Clinton, and forged ahead with a desperate attempt to become the Democratic candidate for Mayor of New York City in 2013.

The film brilliantly chronicles Weiner’s downhill race to the finish line. New Yorkers are a tough but forgiving breed.  In contrast to the tabloid media, late-night comics and political pundits who never loosened their grip on Weiner or his staff and family, Weiner’s constituents initially seemed anxious to move beyond his first sexting misstep and concentrate on the issues they knew he would champion.

But after building a staff of young, dedicated campaign professionals and volunteers and rebuilding his marriage, Weiner was outed again and forced to admit to additional sexting escapades. To make matters worse, a young, sexting paramour soon came out of the shadows to share his spotlight during the final days of his campaign and claim her own 15 minutes of media fame.

Anthony Weiner runs on empty by election day. From the documentary, WEINER. Photo courtesy of SHOWTIME.

Anthony Weiner runs on empty by election day. From the documentary, WEINER. Photo courtesy of SHOWTIME.

By the end of the film, we watch a badly beaten and desperate Anthony Weiner as he taps every last humiliating ploy to salvage his losing campaign.  His once dedicated staff and energized, trusting wife are bathed in a cloud of gloom…all distancing themselves from this wreck of a man.  The only bright spot in his life, his toddler son Jordan Zain, becomes Weiner’s last and most sickening victim. Without wife Huma at his side at the polls, he steps into the voting booth on election day with his son in his arms…the boy screaming in fear at the barrage of hovering media vultures and cameras flashing in his face.

With their inclusion of Weiner’s intimate interactions with his staff and his family, filmmakers Josh Kriegman and Elyse Steinberg provide an important if painful look at the toll Weiner’s indiscretions take on his young campaign advisors and especially his wife. Huma’s initial attempts to make the marriage work and her husband’s political dreams come true should be a revelation for those who condemn, across the board, the decisions of political spouses who stand by their men.

Weiner is a remarkable if difficult film to watch.  It brings us up close and personal to a clueless, arrogant individual who, by diverting attention from the tragic flaws in his character (he never really addresses them in the film), subverts the very qualities we treasure most in a viable candidate for higher office…honesty and trustworthiness, strong family and employer values, selfless resilience, a fighting spirit and respect for the rights of others.

Weiner makes its world television premiere on SHOWTIME tonight, October 22, 2016, 9:00 -10:30 p.m. ET/PT.  (Check listings for repeat broadcasts in the weeks ahead and availability On Demand.)  You’ll be riveted; but by film’s end, you’ll be in the mood for a swig or two of Pepto Bismol…or something even stronger.–Judith Trojan

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Sexual Assault and Dissent Timely Subjects of Hooligan Sparrow on PBS

Posted on October 17, 2016 by Judith Trojan
In May 2013, women's rights activisit Ye Haiyan held up a sign at a protest against an elementary school principal and a government official accused of raping six female students, ages 11 to 14, in Wanning City, Hainan Province, China. The backstory is documented in HOOLIGAN SPARROW on PBS. Photo courtesy POV Digital.

In May 2013, women’s rights activist Ye Haiyan held up a sign in protest against an elementary school principal and a government official accused of raping six female students, ages 11 to 14, in Wanning City, Hainan Province, China. The back story is documented in HOOLIGAN SPARROW on PBS. Photo courtesy POV Digital.

“I never expected to be attacked by screaming mobs just for filming on the street,” recalled filmmaker Nanfu Wang.  “I never expected to be interrogated by national security agents, and that my family and friends would be harassed and threatened by secret police.”

Born and raised in a rural village in China, Nanfu Wang’s subject, Ye Haiyan, has spent much of her adult life dodging reprisal as a women’s rights activist. She’s chosen to travel a difficult path, especially as a single mom living in a country where free speech and dissent are one-way tickets to government-sponsored surveillance, detention, kidnapping and threats of physical violence.

Ye Haiyan is also known as “Hooligan Sparrow” to her many followers on the Internet, who have witnessed from afar her attempts to raise awareness of the plight of sex workers in China.  To make her point, Ye Haiyan even joined their ranks as a “free sex worker” at a local brothel. Her most recent crusade was filmed surreptitiously by the equally persistent and gutsy Chinese national, Nanfu Wang, who now lives in New York City.  Her 90-minute documentary, Hooligan Sparrow, makes its broadcast debut on the PBS series, POV, tonight, Monday, October 17, 2016, 10:00 – 11:30 p.m. ET.  (Check listings in your region for air times and repeat broadcasts.)

Photo by Nanfu Wang

Photo © by Nanfu Wang.

One of Ye Haiyan’s most recent risky endeavors involved her drive to bring worldwide attention to the case of six Chinese primary school girls, ages 11 to 14, who were abducted in 2013 by their school principal and sexually assaulted by him and a government official in a hotel room over a 24-hour period.  Despite clear evidence of their guilt (the girls’ disappearance from school, their vivid testimony and bloody proof of their assault), the alleged perpetrators initially escaped punishment, declaring the girls to be prostitutes and fair game.

Secret police surveillance, government-organized mob violence, break-ins and kidnapping stalked Ye Haiyan’s dogged efforts–“To remain silent is to be an accomplice”–on behalf of the girls and their parents, culminating with a protest rally staged with a handful of Chinese human rights advocates. Their journey for justice was filmed by Nanfu Wang.  

Ms. Wang faced hardships of her own growing up in rural China. But her resilience enabled her to acquire a hard-won education at home and advanced degrees in the States, including graduate film studies at New York University. Her fearlessness, albeit vigilant, is clearly evident in the film, her first feature, as she guides her viewers through the many obstacles facing Ye Haiyan and her fellow protesters, including human rights lawyers Wang Yu and her husband.

Chinese human rights lawyer, Wang Yu, handed out copies of the UN Convention on the Rights of the Child to passersby at a rally in May 2013 to protest the rape of school girls by their principal and a government official. She brings clarity to the case in HOOLIGAN SPARROW on PBS; but, as a result of her fearless advocacy, she was charged with subversion and jailed. Photo courtesy Nanfu Wang.

Chinese human rights lawyer, Wang Yu, handed out copies of the UN Convention on the Rights of the Child treaty to passersby at a rally in May 2013 to protest the rape of school girls by their principal and a government official. She brings clarity to the case in HOOLIGAN SPARROW on PBS; but, as a result of her fearless advocacy, she was charged with subversion and jailed. Photo courtesy Nanfu Wang.

Rough and topsy-turvy at times, Nanfu Wang’s footage of the protest rally, its back story and epilogue were shot surreptitiously. It took all of her ingenuity to get it and herself out of China safely. And the story she tells in Hooligan Sparrow is chilling.

“The chain of events I witnessed in the months that followed the protest shocked me,” says filmmaker Nanfu Wang. “I’ve never had illusions about fairness in China’s justice system or the accountability of its government.  But I never expected to see ordinary people turn on their neighbors who were fighting for their rights.”

Hooligan Sparrow, the film and the woman who inspired it, has an important message to impart.  I never would’ve believed in this day and age, circa 2016, that some Americans, men and women, would continue to support the Presidential candidacy of a serial womanizer and admitted sexual predator and take his word over that of his alleged victims. Or that our hard-won freedoms of the press and speech, among others, are being twisted to incite voter paranoia and arouse doubt. Hooligan Sparrow details what it’s like to live in a land where “human rights” and “justice for all” only seem to apply to those at the top. It’s frightening, it’s real and it’s a timely wake-up call.

Hooligan Sparrow makes its broadcast debut on the PBS series POV tonight, Monday, October 17, 2016, 10:00 – 11:30 p.m. ET.  (Check listings in your region for air times and repeat broadcasts.) –Judith Trojan

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Super Hummingbirds Launch Season 35 of Nature on PBS

Posted on October 12, 2016 by Judith Trojan

A Chestnut-breasted Coronet Hummingbird sips nectar from a flower in the Ecuadorian cloud forest. From NATURE: SUPER HUMMINGBIRDS on PBS. Photo courtesy Ann Johnson Prum/©THIRTEEN Productions LLC.

The cover story of Sunday’s Parade magazine (10/09/16) caught my eye. It didn’t lure me in with revelations about the Brad Pitt-Angelina Jolie break-up or stomach-turning tweets by Donald Trump. Far from it.

Simply entitled Awe, the article goes on to encourage “the feeling”… where and how we experience it, and why it might actually be the “secret to good health and happiness.” You don’t need the latest cell phone, Fitbit or self-driving car to capture the bliss associated with Awe. Better yet… unplug your devices, step outside your door and explore and appreciate firsthand the beauty and wonders of nature, the miracle of Planet Earth and vastness of our universe, or the sublime achievement of great art, architecture, literature and music…and share those awesome experiences with friends and family.

Awe was definitely on my radar when I previewed Emmy Award-winning filmmaker Ann Johnson Prum’s new documentary, Super Hummingbirds. The hour-long film, her second about these dazzling, tiny creatures, launches the 35th season of Nature, a PBS series honored with more than 700 awards to date. Even if you’re not an avian aficionado, I encourage you to take a step outside your comfort zone and catch the premiere of Nature: Super Hummingbirds on PBS tonight, Wednesday, October 12, 2016 (8:00-9:00 p.m. ET).  Check local listings for air times and repeat broadcasts in your region, http://www.pbs.org/nature for online streaming and http://ShopPBS.org for DVD and Blu-Ray availability.

A Green-crowned Brilliant Hummingbird guards his turf as another hungry hummer interloper tries to take a sip of precious nectar. From NATURE: SUPER HUMMINGBIRDS. Photo courtesy Ann Johnson Prum/©THIRTEEN Productions LLC.

If you live in the Americas and have a flower garden or have passed through one at some point in your life, you’ve possibly met up with one or two hummers.  However, they move so fast and are so small (the world’s smallest birds!), chances are you were unaware of their presence.  That is unless you’ve mounted a specially designed hummer feeder outside your window.

Thanks to the marvels of high-speed photography, Super Hummingbirds literally brings us eye-to-eye with various colorful species of hummingbirds, a rare occurrence in everyday life. We are privy to their intimate mating, birthing, nest-building and parenting rituals, as well as their amazing aerial feats. They can fly backwards, upside down and hover in mid-air, with wing speeds of up to 80 times per second.

The film also introduces the work being done with hummingbirds by ornithologists, behavioral ecologists and evolutionary biologists based at such institutions as UC Berkeley, the University of New Mexico and Cornell. Marvelous footage highlights hummingbird feeding studies conducted by Dr. Alejandro Rico-Guevara in Colombia; the astounding hummer high altitude oxygen comparables tabulated in the Peruvian Andes by Dr. Christopher Witt; and the flashy hummer mating dances filmed by Dr. Marcelo Araya-Salas in the Costa Rican rain forest.

Actress Patricia Clarkson narrates NATURE: SUPER HUMMINGBIRDS on PBS. Photo courtesy Joseph Sinnott/©2016 THIRTEEN PRODUCTIONS LLC.

Fast, feisty and focused on fueling up at the nearest nectar-rich flower, hummingbirds may be small, but their high-energy lifestyle makes extraordinary demands on their tiny bodies. Hence, their waking, sleep and feeding cycles are unique to the species and quite remarkable. Significant pollinators (pollen sticks to their heads as they hover and draw nectar from flowers), hummingbirds are also noteworthy for their adaptability to new terrain, climates and altitudes.

Super Hummingbirds will introduce you to tiny, breathtakingly beautiful, ever-evolving creatures that defy categorization.  How refreshing…and how Awesome!  A production  of Coneflower Productions and THIRTEEN Productions LLC for WNET, Nature: Super Hummingbirds premieres on PBS tonight, Wednesday, October 12, 2016 (8:00-9:00 p.m. ET). Check local listings for air times and repeat broadcasts in your region, http://www.pbs.org/nature for online streaming and http://ShopPBS.org for DVD and Blu-Ray availability. –Judith Trojan

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Find Out Who Makes All the Difference on POV

Posted on September 12, 2016 by Judith Trojan
Chicago teenager Robert Henderson's resolve to graduate high school and college despite the many roadblocks that threaten to derail him is a journey worth sharing in ALL THE DIFFERENCE. Photo courtesy Tod Lending.

Chicago teenager Robert Henderson’s determination to graduate from high school and college despite the roadblocks that threaten to derail him is a journey worth sharing in ALL THE DIFFERENCE. Photo courtesy Tod Lending.

“It isn’t how you start, it’s how you finish,” says Robert Henderson, one of two African-American teenage boys whose hard-won journey from the South Side of Chicago through high school graduation and four years of college drive the five-year timeline in All the Difference.  

The powerful 90-minute documentary, filmed by Emmy® Award-winning producer/director/cinematographer Tod Lending, premieres tonight, September 12, 2016, on the PBS series, POV (10:00/10:30 p.m. ET. Check local listings for variable start times and air dates in your region).

Tod Lending’s five-year focus on two young men in All the Difference has more than a little in common with Michael Apted’s trailblazing UP documentary series and Richard Linklater’s acclaimed drama, Boyhood, reviewed here in previous posts. Chicago-based Lending, who has also followed former subjects for one-plus years (Omar & Pete and The Principal Story), commits to a longer haul in All the Difference. Here he documents the aspirations, roadblocks and support systems that impact African-American teenagers Robert Henderson and Krishaun Branch as they strive to beat the odds and dodge drugs, gang life, prison and an untimely demise on the streets of Chicago’s South Side to become the first in their families to graduate from high school and attend college.

Award-winning producer, director, cinematographer Tod Lending documents the personal and academic struggles faced by two African-American teens in ALL THE DIFFERENCE. Photo courtesy Wonjung Bae.

Award-winning producer, director, cinematographer Tod Lending documents the personal and academic struggles faced by two African-American teens in ALL THE DIFFERENCE. Photo courtesy Wonjung Bae.

While Robert and Krishaun possess different skill sets, strengths and weaknesses, they are both products of broken families horribly shattered by violence and poverty. They’ve grown up in a community where if you’re a young black man and have survived the lure of gang indoctrination and live to celebrate your 18th birthday, you’ve hit a celebration-worthy milestone.

Robert and Krishaun do share more than one positive asset.  They are remarkably resilient and are determined not to be statistics. Both boys attend the Urban Prep Charter Academy for Young Men in Chicago, the first all-boys public charter high school in the country.

Within this stringent educational community, administered by a supportive staff of educators and devoid of female distractions, students are encouraged to excel. Robert and Krishaun see their way through to graduation and into colleges of their choice, where a whole new set of hurdles await them, as well as an impressive group of caring professors, advisors and mentors who help the young men stay on track and attain their goals.

Krishaun Branch celebrates on his Urban Prep High School graduation day. Photo courtesy Tod Lending.

Krishaun Branch celebrates on his Urban Prep High School graduation day. Photo courtesy Tod Lending.

As the fates of young, African-American men continue to be exploited by the news media and one uninformed, headline-grabbing Presidential candidate who continues to paint the African-American community with a broad negative brush, All the Difference makes for a timely, refreshing antidote.

Yes, we come face-to-face with Robert and Krishaun’s fears and tears rooted in the legacy of their broken families, gut-wrenching poverty and threats of gun violence in their “hood.” But we also witness the positive pivotal roles played not only by their care-givers (Krishaun’s hard-working single mom and Robert’s feisty elderly grandmother), siblings and neighborhood pastor; but also by their dedicated educators (principals, coaches, guidance counselors and advisors, teachers and professors).

It’s clear that mentors wear many hats and are key to Robert and Krishaun’s survival and success. Often on the brink of quitting, Robert and Krishaun pull back from the precipice armed with their educators’ problem-solving skills and the determination not to let their loved ones down.  All the Difference is proof positive that it does in fact take “a village” to raise a child well, no matter what the child’s race, sexual orientation, religion, or economic situation.  Resilience can be taught and innate talents can blossom with a little help from individuals who step up to the plate and show, by their example, how to transcend hopelessness with hope.

Krishaun Branch returned to his Chicago high school, Urban Prep, to encourage students by his example. Photo courtesy Tod Lending.

Krishaun Branch returned to his Chicago high school, Urban Prep, to encourage students by his example. Photo courtesy Tod Lending.

Bravo to Robert Henderson and Krishaun Branch for never giving up and for giving back in their subsequent endeavors and professions, and to filmmaker Tod Lending for bringing us their uplifting life stories.  The premise of All the Difference was inspired by Wes Moore’s best-selling autobiography, The Other Wes Moore (Random House, 2010), that contrasts the journeys of two fatherless boys who grew up with the same name, in similar Baltimore neighborhoods…one became a Rhodes Scholar and White House Fellow, the other a convicted murderer.  Moore and his mother, Joy Thomas Moore, are executive producers of this film.

All the Difference should be mandatory viewing in teacher training workshops on the undergraduate and graduate levels. The film will also work effectively with adult and young adult audiences in inner city libraries and high school classes. POV and All the Difference teams have “launched a national ‘Make All the Difference’ campaign to mobilize students, families, educators, mentors and PBS stations to support first-generation students and young men of color as they prepare for and graduate from college.”  Various supplemental handbooks, study guides and educational resources can be found at http://www.pbs.org/pov/allthedifference/

In the meantime, you can catch All the Difference tonight, September 12, 2016, on the PBS series, POV (10:00 – 11:30 p.m. ET. Air times may vary in your region. Check listings!)–Judith Trojan

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American Experience Remembers The Boys of ’36

Posted on August 2, 2016 by Judith Trojan

BOYSOF36_27x40I’m writing this blog post from the second floor porch of a Victorian B&B in Ocean Grove, NJ, overlooking the Atlantic Ocean. There’s a brisk wind off the ocean today, but the sparkling white caps and the fishing boats hovering close to shore hold promise of a breaching hungry whale or two…and some spunky dolphin dive-bys.

Yes, I’m on vacation and I’m surrounded by water…the optimum venue from which to give you a shout-out about American Experience’s rousing new documentary about Olympic rowers.  Perfectly timed to herald the start of the 2016 Summer Olympic Games in Rio de Janeiro later this week, The Boys of ’36 debuts on PBS tonight, Tuesday, August 2, 2016, 9:00 -10:00 p.m. ET. (Check local listings for air times in your region.)

“The Boys of ’36 is really an inspiring story,” says Mark Samels, WGBH Executive Producer for American Experience. “These remarkable young men–with nothing more than strength of character, hard work and determination–triumphed over unimaginable odds.”

Inspired by the New York Times #1 bestseller, The Boys in the Boat (Penguin/Random House), by Daniel James Brown, the documentary recounts the individual economic, physical and psychological obstacles faced by nine working-class young rowers from the University of Washington as they prepared to compete for a Gold Medal at the 1936 Olympic Games in Berlin.

Author Daniel James Brown, period and sports historians, and the children of several of the rowers discuss the Depression-era hardships faced by these sons of loggers, shipyard workers and farmers who not only went on to beat the favored U.S. Ivy League rowing teams but Hitler’s elite German rowers as well…with the ever-present Hitler and his minions hovering nearby.

The University of Washington's varsity crew team at the Poughkeepsie Regatta Races in June 1936. Photo courtesy of Corbis.

The University of Washington’s varsity crew team at the Poughkeepsie Regatta Races in June 1936. Photo courtesy of Corbis.

With succinct voice-over narration delivered by actor Oliver Platt in Ken Burns’-cadence, The Boys of ’36 includes wonderful vintage sports footage of the individual team members, their competitions leading up to the Olympic Games and their Gold Medal victory in Nazi Germany circa 1936.

Kudos to Margaret Grossi, the director and producer of this uplifting, sharply focused hour-long documentary, and to the film’s co-producer, NBC-News Olympic Games analyst Mary Carillo.

If you need a shot of good news during this especially nasty U.S. Presidential media blitz, I suggest you catch American Experience: The Boys of ’36 debuting on PBS tonight, Tuesday, August 2, 2016, 9:00 -10:00 p.m. ET. (Check local listings for air times in your region.) –Judith Trojan

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Open Your Eyes and Skip the Trump Dog and Pony Show

Posted on July 18, 2016 by Judith Trojan
When does this reality show end?

When will this reality show end?

“A blind person is a mouth with no hands.”–Nepalese Proverb.

I confess that lately I’ve let too much time elapse between blog posts. I haven’t given up on “media that matter,” the mission of my blog, FrontRowCenter.  But, frankly, I admit that I’ve been short-circuited by media “on the dark side,” i.e., the Donald J. Trump Dog and Pony Show playing out via every news media franchise, talk show and stand-up comedian in the universe. I can’t get my head, hands or heart around the fact that Americans … Americans I know and love … are actually going to vote for Donald J. Trump for President of the United States. Have they become so beguiled by the media coverage and “message” promulgated by this snake oil salesman that “magical thinking” has become the norm?

What will possess American voters to kick common sense and the lessons of our shared past to the curb and give a thumbs up to Donald J. Trump for the highest office in the land?  Do they care to remember the mission of our founding fathers and the hard-won tenets of our U.S. Constitution and the Civil Rights’, women’s and LGBT movements; or the lessons learned from our wars fought at home and abroad, and the seeds that continue to incite fascist regimes on foreign soil.

This is a man whose public cred comes via his ownership of The Miss Universe Pageant and The Apprentice reality show franchise and has a boatload of failed businesses on his unbalanced credit sheet.  This is a man who has farmed out production of his own products to Third World countries and whose get-rich-quick “Trump University” scam bilked hard-working, unemployed middle-class Americans out of thousands of their hard-earned savings.trump-mortgage-company

How do working-class Americans justify Trump’s anti-immigrant stance and Bill Clinton vilification in light of Trump’s own womanizing past, his foreign-born first and third wives, and his collection of solid gold-appointed homes? Will taking an adversarial stand against the free press and our Judicial system pay big dividends?  Some of us are still waiting to see your tax returns, Mr. Trump!

Is Trump the new role model for our children and our children’s children who may aspire one day to become President of the United States?  Will rude, crass behavior become the norm:  bullying, belittling the handicapped, treating women as sex objects, fanning the flames of paranoia and inciting violence and suspicion against those of different races, religions, nationalities or sexual orientations?  Do Donald J. Trump or his running mate, Indiana Governor Mike Pence, belong in the White House, once the home of Abraham Lincoln, Teddy Roosevelt, Dwight D. Eisenhower, JFK, and Franklin and Eleanor Roosevelt?

Nepali farmer Manisara, and her husband of 50 years, have their eyesight restored via free cataract surgery documented in OPEN YOUR EYES. Photo courtesy HBO.

Visually-impaired Nepalese farmer Manisara, and her husband of 50 years, Durga, are persuaded to take advantage of free cataract surgery. Their visual odyssey is documented in OPEN YOUR EYES. Photo courtesy HBO.

As an antidote to the incendiary hoopla that is bound to unfold this week during the Republican National Convention in Cleveland, Ohio, (July 18-21, 2016), I draw your attention instead to Open Your Eyes, a short, touching documentary filmed by Oscar-nominated director Irene Taylor Brodsky.  Her film debuts on HBO tonight, July 18, 2016, 7:30-8:10 p.m. ET/PT.  (Check listings for additional HBO playdates in the weeks ahead and availability on HBO NOW, HBO GO and HBO On Demand.)

Brodsky documents the three-day odyssey of an elderly Nepalese couple, Manisara and Durga, as they journey from their remote farm in the Himalayan Mountains to an eye hospital in the city for life-changing cataract surgery.  Blinded and weathered by a lifetime of exposure to the sun, the couple soon lay side by side in an operating room where their cataracts are removed free of charge in approximately six minutes. They return to their farm and their family with sight restored.  And, after years of being relegated to the sidelines as virtual invalids, they are clearly energized by the sight and feel of the gorgeous Himalayan landscape on the horizon and beneath their bare feet, as well as their “reintroduction” to their livestock, and, most movingly of all, to their children and grandchildren.

After sight-restoring cataract surgery, Manisara is able to see her grandchild, Gauri, for the first time. Photo courtesy HBO.

After sight-restoring cataract surgery, Manisara is able to see her grandchild, Gauri, for the first time. Photo courtesy HBO.

Open Your Eyes notes that “nearly 40 million people worldwide are blind, mostly from cataracts, and 90 percent of them live in the poorest countries.” The film shines a light on the sight-restoring work of the Seva Foundation, the international nonprofit headquartered in Berkeley, California, that is responsible for supporting the implementation of free cataract surgery and other sight-related services to millions worldwide.  

If you need a respite from the empty rhetoric and negativity emanating from the Republican National Convention this week, take a break and explore the work of the Seva Foundation and watch Irene Brodsky’s latest film, Open Your Eyes. This lovely little slice of positivity debuts on HBO tonight, July 18, 2016, 7:30-8:10 p.m. ET/PT.  (Check listings for additional HBO playdates in the weeks ahead and availability on HBO NOW, HBO GO and HBO On Demand.) –Judith Trojan

 

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The Highwaymen Were Friends Till the End

Posted on May 27, 2016 by Judith Trojan
American Masters looks back at the pioneering outlaw country music group, The Highwaymen, featuring (from left): Waylon Jennings, Johnny Cash, Willie Nelson and Kris Kristofferson. Photo; Jim McGuire, courtesy Sony Music Entertainment

AMERICAN MASTERS looks back at the pioneering outlaw country music group, The Highwaymen, featuring (from left): Waylon Jennings, Johnny Cash, Willie Nelson and Kris Kristofferson. Photo: Jim McGuire, courtesy Sony Music Entertainment.

“They had a ball together,” recalls producer/director Jim Brown about the legendary subjects of his latest film.

If you’re a fan of Willie Nelson, Johnny Cash, Waylon Jennings or Kris Kristofferson, you might want to kick back and spend an hour watching Jim Brown’s American Masters’ season finale, The Highwaymen: Friends Till the End, premiering on PBS tonight, Friday, May 27, 2016, 9:00 – 10:00 p.m. ET. (Check local listings for air times in your region and http://pbs.org/americanmasters for up-to-date streaming and DVD availability.)

While I never tire of listening to Willie Nelson or Johnny Cash, I’m also a major fan of Emmy Award-winning filmmaker Jim Brown.  In my estimation, his feature-length documentaries– Pete Seeger: The Power of Song  (see my review at https://judithtrojan.com/2014/01/31/ ) and The Weavers:  Wasn’t that a Time!– are two of the most powerful, inspiring and informative films about American musicians and their milieu ever made.

Pete Seeger (1919 - 2014).

Pete Seeger (1919 – 2014).

Seeger and The Weavers were mavericks who stepped outside the music industry’s and the nation’s comfort zone. They suffered consequences; but they persevered. Their music, message and resilience ultimately transcended the small minds who attempted to shut them down. They were a special breed of courageous musicians whose artistry and activism were deeply rooted in the American social and political landscape of their times.  I relish repeat screenings of these films.

While Brown’s latest film, The Highwaymen: Friends Till the End, doesn’t rise to the level of Pete Seeger and The Weavers, it has its own charm and cachet. It boasts rare vintage performance and interview footage featuring a quartet of four friends–Johnny Cash, Willie Nelson, Waylon Jennings and Kris Kristofferson–who also happened to be superstars in their own right.

Kris Kristofferson recalls his first meeting and subsequent friendship with Johnny Cash in THE HIGHWAYMEN: FRIENDS TILL THE END. Photo: Sandy Speiser, courtesy Sony Music Archives.

Kris Kristofferson recalls his first meeting and subsequent friendship with Johnny Cash in THE HIGHWAYMEN: FRIENDS TILL THE END. Photo: Sandy Speiser, courtesy Sony Music Archives.

A cursory timeline tracks the formation and decade-long collaboration of their country music “supergroup” (1985-1995).  Prior to 1985, Cash, Nelson, Jennings and Kristofferson had pretty much fine-tuned their voices as maverick country singer/songwriters and social and political activists. “We stood up for what we believed in,” says Kristofferson.

But by the mid-1980s, the Nashville welcome mat was blowing in the wind. Faced with lagging solo careers, they welcomed the chance to collaborate as singer/songwriters. World tours, three albums, Grammys, and even a group acting stint in Hollywood followed. Does anyone remember the 1986 remake of Stagecoach? It’s a hoot.

The Highwaymen: Friends Till the End clearly underscores the strong, respectful bonds forged by the foursome during recording sessions and on the road in performance. Director Jim Brown melds an entertaining, fast-paced mix of rare concert and behind-the-scenes footage of the quartet with vintage interviews with Cash and Jennings and present-day interviews with Nelson, Kristofferson, their wives (including Jennings’ widow, country singer Jessi Colter), and Cash’s son (John Carter Cash), assorted managers and fellow performers.

If songs like “Folsom Prison Blues,” “Mammas Don’t Let Your Babies Grow Up to Be Cowboys,” “Always on My Mind,” and “Me and Bobby McGee” touch a nostalgic nerve, you won’t want to miss this film. You’ll probably find yourself singing along, mesmerized by the quartet’s powerful stage presence and blown away by their virtuoso guitar playing. And you’ll have a dandy good start to your Memorial Day weekend!

Johnny Cash (19xx-2003) died less than two years after his close pal, Waylon Jennings (19xx-2002) passed away. Photo JT Phillips, courtesy Sony Music Archives.

Johnny Cash (1932-2003) died less than two years after his close pal, Waylon Jennings (1937-2002), passed away. Photo JT Phillips, courtesy Sony Music Archives.

American Masters’ season finale produced and directed by Jim Brown, The Highwaymen: Friends Till the End, premieres on PBS tonight, Friday, May 27, 2016, 9:00 – 10:00 p.m. ET. (Check local listings for air times in your region and http://pbs.org/americanmasters for up-to-date streaming and DVD availability.)

Fans should also check out The Highwaymen Live–American Outlaws, a new CD/DVD or Blu-ray box set of concert performances–including the complete Nassau Coliseum concert film clipped in Jim Brown’s documentary.  It’s available now from Columbia/Legacy, along with a new single-disc compilation CD, The Very Best of the Highwaymen. –Judith Trojan

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Jungle Animal Hospital Saves Lives and Nabs Criminals

Posted on May 18, 2016 by Judith Trojan
The future looks bright for this adorable baby spider monkey. A near casualty in the Guatemalan illegal pet trade, this orphan was rescued by the ARCAS animal rescue staff in Guatemala, and will be rehabilitated and released into the wild as an adult. Her plight is documented on PBS in NATURE: JUNGLE ANIMAL HOSPITAL. Photo: Anna Place/BBC.

The future looks bright for this adorable baby spider monkey. A near casualty of the Guatemalan illegal pet trade, this orphan was rescued by the ARCAS animal hospital staff. Her plight is documented in NATURE: JUNGLE ANIMAL HOSPITAL on PBS. Photo: Anna Place/BBC.

“There is hope at the end, and we are part of the hope,” says dedicated veterinarian Alejandro Morales at the conclusion of Jungle Animal Hospital. Filmed over the course of one year, the PBS NATURE series season finale highlights the noble work of Dr. Morales, zoologist Anna Bryant, and their colleagues at the ARCAS wildlife rescue center and hospital deep in the Guatemalan jungle.

Jungle Animal Hospital debuts on PBS tonight, Wednesday, May 18, 2016, 8:00 – 9:00 p.m. ET/ 7:00 p.m. CT. (Check local listings for air times in your region and  http://www.pbs.org/nature for online streaming and DVD availability after the film’s debut broadcast.)

Dr. Alejandro Morales and zoologist Anna Bryant examine a rescued baby parrot. Photo ©BBC.

Dr. Alejandro Morales and zoologist Anna Bryant examine a rescued baby parrot in JUNGLE ANIMAL HOSPITAL. Photo ©BBC.

Established in 1989 by a group of environmentally concerned Guatemalans, ARCAS rescues, rehabilitates and releases an incredibly diverse array of injured, orphaned and endangered animals. Many are victims, directly and indirectly, of habitat decimation and wildlife trafficking. The black market pet trade has especially driven the parrot, macaw and spider monkey populations to near extinction in the region.

While Jungle Animal Hospital provides a mere introduction to the extensive work being done overall at ARCAS, Alejandro Morales and Anna Bryant are clearly key to the center’s success. Their dedication knows no bounds.  They greet and treat each patient with the utmost skill and tenderness and must walk a fine line, emotionally, as they face life and death challenges on a daily basis.

Veterinarian Alejandro Morales wakes up his patient, a baby northern potoo bird, after surgery. Photo ©BBC.

ARCAS veterinarian Alejandro Morales wakes up his patient, a baby northern potoo bird, after surgery. Photo ©BBC.

Dr. Morales’ attempt to repair the broken leg of a rare baby potoo bird, for example, forces him to devise operating room and feeding solutions that test his resources and his professional resolve to remain detached from his patients.

Ms. Bryant must also be mindful of her boundaries as she nurtures baby orphan spider monkeys and oversees their rehabilitation and eventual release into the wild. Baby spider monkeys are prime targets for wildlife traffickers.  Torn from their murdered mothers’ breasts, the babies are black marketed as pets.

Spider monkeys that survive this early trauma are quarantined for several months and gradually allowed to interact with other orphans in secure treetops on the ARCAS refuge grounds.  Their successful release into the wild is predicated on their ability to feed and bond properly. Those that come into the ARCAS program later in life, as abandoned and abused pets, for example, face a different set of often insurmountable obstacles.

More than 100 baby parrots a month arrive at ARCAS during breeding season, the prime time for pet traffickers to snatch and smuggle them out of Guatemala. Photo: Anna Place/BBC.

More than 100 baby parrots a month arrive at ARCAS during hatching season, the prime time for pet traffickers to snatch and smuggle them out of Guatemala. Photo: Anna Place/BBC.

ARCAS staffers actively work with local authorities to enforce anti-trafficking laws and catch criminals in the act. Baby parrots are especially prized in the illegal pet trade, but 70-80% of their catch die in transit. The film documents the results of a successful baby parrot rescue mission. Although dehydrated, malnourished and jam-packed into a cardboard box, the tiny individuals had a positive outcome.

ARCAS director Fernando Martinez briefly makes an appearance as he reached a touching milestone during filming: the culmination of the center’s first captive-breeding and release program. As Martinez and his staff transported five majestic, captive-bred scarlet macaws to a hilltop overlooking the Guatemalan rain forest, emotions ran high. The planned future release of 35 more captive-bred scarlet macaws hinged on the successful inter-breeding of this initial batch of captive-bred birds with the dwindling population of scarlet macaws in the wild.

Adult scarlet macaw. Photo: Alejandro Morales.

An adult scarlet macaw. Photo: Alejandro Morales.

“Since its establishment, the ARCAS Rescue Center has grown into one of the largest and most complex rescue centers in the world, receiving between 300 and 600 animals of more than 40 species per year,” which is a mission that deserves the support of anyone interested in the well-being of wild animals and their increasingly endangered habitats.

Jungle Animal Hospital is a co-production of THIRTEEN Productions LLC and the BBC in association with WNET. It debuts on the award-winning PBS series, NATURE, tonight, Wednesday, May 18, 2016, 8:00 – 9:00 p.m. ET/7:00 p.m. CT. (Check local listings for air times in your region and  http://www.pbs.org/nature for online streaming and DVD availability after the film’s debut broadcast.) You can also learn more about ARCAS by visiting their Website @ http://arcasguatemala.org/–Judith Trojan

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Gloria Vanderbilt and Anderson Cooper Leave Nothing Left Unsaid in New Doc

Posted on April 9, 2016 by Judith Trojan
Anderson Cooper.

Journalist Anderson Cooper and his mom, Gloria Vanderbilt, explore her dramatic life story and resilience in NOTHING LEFT UNSAID.

“I could always tell as a kid that there was this sadness to her,” says CNN anchor Anderson Cooper of his mom, Gloria Vanderbilt, in the fascinating and poignant new feature-length documentary, Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper, produced and directed by Liz Garbus.

The film debuts on HBO tonight, Saturday, April 9, 2016, 9:00 – 11:00 p.m. ET/PT. (Check listings for additional HBO playdates in the weeks ahead and availability on HBO NOW, HBO GO and HBO On Demand.)  The film will also air on CNN on Friday, April 29, 2016, 9:00 – 11:00 p.m. ET. (Check listings for air times in your region.)

“I always think of my mom as coming from a time and place that doesn’t exist anymore,” reflects Cooper in Nothing Left Unsaid. “She’s stranded here.” Cooper has spent his career reporting from the epicenters of war and nature-ravaged regions across the globe. This drive to bear witness to the human suffering that tragedy and personal loss incite seems to have begun at home. He admits to being in a constant state of anxiety over his mom’s well-being, even as she has managed to forge, against all odds, a viable life for herself.

A public figure since childhood and muse of many legendary photographers, heiress and artist Gloria Vanderbilt has weathered high family drama and personal tragedies. Her resilience is explored with her son, Anderson Cooper, in NOTHING LEFT UNSAID. Photo courtesy HBO.

A public figure since childhood and muse of many legendary photographers, heiress and artist Gloria Vanderbilt has weathered high family drama and personal tragedies. Photo courtesy HBO.

Their journey back in time, as mother and son, is propelled by Anderson’s obsession with his mother’s over-stuffed storage unit (yes, it houses her artwork and personal letters, but also, he chuckles, a lot of ephemera… including a box of Corn Flakes from the 1950’s!). The thought of cleaning it out has overwhelmed him for years.

Still an exquisite beauty at 91 and passionately committed to creating and orchestrating the content and exhibition of her whimsical, autobiographical artwork, Gloria Vanderbilt has quite a story to tell. And she tells it with grace and the gentle assist of her son, who steers the conversation with questions of his own that need resolving. First and foremost, there are the emotional scars left by Gloria’s impossibly wealthy Vanderbilt, Whitney and Morgan forebears.

To this day, nine decades after her birth in 1924, she struggles with the fear of abandonment and lack of self-worth seeded by the early death of her father, Reginald Claypoole Vanderbilt, and the continent-hopping lifestyle of his teenage bride–Gloria’s mother, Gloria Morgan Vanderbilt–who was too immature and self-involved to be a mother for most of her life.

Young Gloria Vanderbilt.

Young Gloria Vanderbilt.

The legendary custody battle fought over the “poor little rich girl” by Gloria’s grandmothers; her aunt, Gertrude Vanderbilt Whitney; and her biological mom, Gloria, was a major headline- grabber during the height of the Great Depression.  When most Americans were standing in bread lines, little Gloria was shuttled back and forth between luxurious estates in New York and abroad by the warring women who wanted to possess and “protect” her.

Despite living in the lap of luxury, Gloria feared that she would lose the only real mother she had ever known, her beloved nanny, DoDo.  DoDo eventually became the collateral damage in the brutal custody battle.  All the money in the world couldn’t buy Gloria a stable, traditional family life, the kind she saw in the movies and never stopped yearning for.

Gloria’s youthful obsession with Hollywood led to a series of  highly publicized liaisons with older men.  There were affairs with Errol Flynn and Frank Sinatra; a teenage marriage to an abusive Hollywood agent; a whirlwind marriage at twenty to 63-year-old conductor Leopold Stokowski; and a short-lived marriage to film director Sidney Lumet.  But along the way, she hit her stride as a model, actress, artist, fashion entrepreneur and designer of signature jeans and married the love of her life, Wyatt Cooper.  She had two sons by Stokowski (Leopold aka “Stan” and Christopher) and two by Cooper (Carter and Anderson).

Anderson and Carter Coooper, circa 1974. Photo courtesy HBO.

Anderson and Carter Cooper, circa 1974. Photo courtesy HBO.

Especially pivotal in Anderson Cooper’s own journey were the untimely death of his dad, Wyatt Cooper, and the suicide of his older brother, Carter, at age 23. Mother and son travel the difficult emotional path leading up to and following these heartbreaking losses and close the film hand-in-hand at Wyatt and Carter’s snow-covered graves.

Woven throughout Nothing Left Unsaid are exquisite color and black and white home movies, vintage news footage and clippings and family portraits enhanced by a lovely musical score. Gloria’s “magic boxes,” collages and drawings are cleverly animated at intervals, to better illustrate the family demons and happy endings she plays out endlessly in her artwork. Vintage clips of Gloria’s mom–from youthful bride at play in the Paris of Fitzgerald and Hemingway, to her reserved, late-in-life reconciliation with her daughter–keenly illustrate the mother-daughter drama that still haunts Gloria to this day.

Gloria Vanderbilt Cooper relaxing with her family in her NYC apartment, circa 1972. Photo: Jack Robinson/Vogue. Courtesy HBO.

Gloria Vanderbilt Cooper relaxing with her family in her NYC apartment, in 1972. Photo: Jack Robinson/Vogue. Courtesy HBO.

Nothing Left Unsaid is one of the most moving, psychologically smart and information-rich film bios I’ve seen of late. It’s definitely on par with my 2015 favorite: Listen To Me Marlon (reviewed in FrontRowCenter on 11/14/15). The moral of Gloria’s life story (and Marlon’s)–that fame and fortune don’t buy happiness–is obvious, of course. But, like Brando, Gloria’s ongoing creative attempts to work through the detritus of her childhood and surmount tragic losses are lessons we all, rich or poor, can learn from.

This film enables Gloria, in her ninth decade, to revisit her damaged childhood with her own child, now middle-aged, and to bring herself, and especially her son, a good measure of clarity and peace.  Going forward, the film will be an asset in programs in colleges, universities, community centers and churches dealing with troubled parent-child relationships, death & dying, and grieving, as well as museum programs focusing on women artists and designers.

The premiere of Nothing Left Unsaid coincides with the publication of  The Rainbow Comes and Goes: A Mother and Son on Life, Love, and Loss (HarperCollins, 2016), co-authored by Anderson Cooper and Gloria Vanderbilt.

Anderson Cooper and his mom, Gloria Vanderbilt. Photo courtesy HBO.

Anderson Cooper and his mom, Gloria Vanderbilt, as they appear in NOTHING LEFT UNSAID. Photo courtesy HBO.

You’ll have many chances to catch the film in the weeks ahead, and I urge you not to miss it.  Nothing Left Unsaid: Gloria Vanderbilt & Anderson Cooper debuts on HBO tonight, Saturday, April 9, 2016, 9:00 – 11:00 p.m. ET/PT. (Check listings for additional HBO playdates and availability on HBO NOW, HBO GO and HBO On Demand.)  The film will also air on CNN on Friday, April 29, 2016, 9:00 – 11:00 p.m. ET. (Check listings for air times in your region.)–Judith Trojan

Note: You can read my review of Listen To Me Marlon at https://judithtrojan.com/2015/11/14

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